Aristotelova poetika /. Title: Aristotelova poetika /. Author: Aristotle · Author: Pavić, Armin, Note: U Zagrebu: Štamparna Dragutina Albrehta, ARISTOTELOVA POETIKA V KONTEXTE JEZUITSKEJ TEÓRIE POETIKY A RÉTORIKY NA ÚZEMÍ DNEŠNÉHO SLOVENSKA V PRVEJ POLOVICI Aristotelova poetika – Ebook written by. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight.
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Next, Song poetlka Diction, for these are the medium of imitation. By ‘language embellished,’ I poteika language into which rhythm, ‘harmony,’ and song enter. Subscribe to our newsletter Some error text Name.
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Views Read Edit History. If, however, the end might have been as well, or better, attained without violating the special rules of the poetic art, the error is not justified: All action is therefore imitation of action; it is poetic.
Transient cookies are kept in RAM and are deleted either when you close all your browser windows, or when you reboot your computer. They differ, poetila, from one another in three respects,—the medium, the objects, the manner or mode of imitation, being in each case distinct.
People do, indeed, add the word ‘maker’ or ‘poet’ to the name of the metre, and speak of elegiac poets, or epic that is, hexameter poets, as if it were not atistotelova imitation that makes the poet, but the verse that  entitles them all indiscriminately to the name.
Email address subscribed successfully. In dancing, rhythm alone is used without ‘harmony’; for even dancing imitates character, emotion, and action, by rhythmical movement. For there is no common term we could apply aristotslova  the mimes of Sophron and Arisottelova and the Socratic dialogues on the one hand; and, on the other, to poetic imitations in iambic, elegiac, or any similar metre. Add to this, that the standard of correctness is not the same in poetry and politics, any more than in poetry and any other art.
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A activation email has been sent to you. Each passage is available in two of today’s most referred versions of the Greek text and three English translations. By ‘Diction’ I mean the mere metrical arrangement of the words: It is the distinctive feature of human action, that whenever we choose what to do, we imagine an action for ourselves as though we were inspecting it from the outside [such as in risking life in battle for the sake of the poetima the noble, beautifulacting from aristotelva moral virtue, andreia couragerather than viewing it as something unpleasant xiii-xv ].
For example,—not to know that a hind has no horns is a less serious matter than to paint it inartistically. By Powtika I mean that in virtue of which we ascribe certain qualities to the agents. Subscribe to our newsletter Some error text Name.
The now established convention accepts four primary witnesses to the text texts that do not depend on any other extant source:. Persistent cookies are stored on your hard disk and have a pre-defined expiry date.
More translations will follow. Others, containing translations, are listed in the section below. These are the main editions of the text.
We never store sensitive information about our customers in cookies. The links following respective editions point to their online versions; where no file format is specified abbreviations stand for digital archives. Intentions are nothing more than imagined actions [ all courage is metaphorical xv ], internalizings of the external.
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These are the points of view from which we should consider and answer the objections raised by the critics. The languages are ordered according to their earliest translation. Even when a treatise on poehika or natural science is brought out in verse, the name of poet is by custom given to the author; and yet Homer and Empedocles have nothing in common but the metre, so that it would be right to call the one poet, the other physicist rather than poet.
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Поетика (Аристотел) — Википедија, слободна енциклопедија
Links within the wiki are in green. Following, then, the order of nature, let us begin with the principles which come first. There are also many modifications of language, which we  concede to the poets.